The Chicago Poetry Center presents BLUE HOUR, a free, public monthly in-person reading series and generative writing workshop hosted and facilitated by Marty McConnell.
*** HEALTH & SAFETY NOTE: We are requesting that attendees mask for this event. Thank you for your cooperation! ***
The Blue Hour reading includes a brief open mic followed by two featured poets from Chicago and beyond. The open mic includes five readers drawn lottery-style from a hat that goes out at 7:15. The reading starts promptly at 7:30. Each open mic poet reads one poem or for three minutes, whichever comes first.
The name comes from a line by Chicago poet Li-Young Lee, from a section of “The City in Which I Love You”:
I wait
in a blue hour
and faraway noise of hammering,
and on a page a poem begun, something
about to be dispersed,
something about to come into being.
EVENT DETAILS FOR OCTOBER 18:
- Workshop (registration required) begins promptly at 6 p.m., ends at 7 p.m.
- Open mic sign-up begins at 7:15.
- Reading (registration recommended) begins at 7:30, followed by community gathering time.
- Reading registration is free; the workshop is sliding scale with a suggested donation of $10.
- Register for the workshop here.
- Get your ticket for the reading here.
- Livestream is available here.
ABOUT THE READING:
The Blue Hour reading features readings by two poets from Chicago and beyond, preceded by a five person lottery-style open mic and followed by community gathering time.
ABOUT THE WORKSHOP:
The Blue Hour generative writing workshop is suitable for writers and poetry fans of all levels. We will discuss a poem together, then Marty will guide the group through individual writing on an exploratory prompt that draws on themes from the poem.
ABOUT THE SPACE:
Accessibility, Health, & Safety:
– All restrooms at Haymarket House are gender-neutral, including single-user and stalled restrooms.
– Each event includes ASL interpretation. Haymarket House is ADA compliant and fully wheelchair-accessible; email curator@poetrycenter.org to ensure ramp access and with any other accessibility needs.
– Masks are currently strongly encouraged for all indoor events, and the space is equipped with a professional air filtration system.
OCTOBER FEATURES:
Kenyatta Rogers is a Cave Canem Fellow and has been awarded scholarships from the Breadloaf Writers’ Conference. He has also been nominated multiple times for both Pushcart and Best of the Net prizes. His work has been previously published in Poetry Magazine, Jubilat, Vinyl, Bat City Review, The Volta, PANK, MAKE Magazine among others. Kenyatta is a Lead Teacher for the Poetry Foundations Teacher Institute and Chautauqua Institution’s Young Writer Institute. He is a co-host of the Sunday Reading Series with Simone Muench and is the Creative Writing Department Head at the Chicago High School for the Arts.
Marcy Rae Henry is B.I.P.O.C., L+GBT, lover of OMD and suffers from PTSD. She is a multidisciplinary artista de Mexicana-Americana. Her writing has received a Chicago Community Arts Assistance Grant, an Illinois Arts Council Fellowship, a Pushcart Prize nomination and first prize in Suburbia’s 2021 Novel Excerpt Contest. Writing and visual art appear in The Columbia Review, BathHouse Journal, PANK, The Southern Review, The William & Mary Review and The Worcester Review, among others. DoubleCross Press recently published her chapbook We Are Primary Colors. M.R. Henry is an associate editor for RHINO and a digital minimalist with no social media accounts.
ABOUT THE HOST:
Marty McConnell is a poet, educator, and healer based in Chicago. She is the author of when they say you can’t go home again, what they mean is you were never there, winner of the 2017 Michael Waters Poetry Prize; her first full-length collection, wine for a shotgun, received the Silver Medal in the Independent Publishers Awards and was a finalist for both the Audre Lorde Award and a Lambda Literary Award. Her first nonfiction book, Gathering Voices: Creating a Community-Based Poetry Workshop, is available through YesYes Books. She is the co-creator and co-editor of underbelly, a web site focused on the art and magic of poetry revision. An MFA graduate of Sarah Lawrence College, her work has appeared in numerous journals and anthologies including Best American Poetry, Southern Humanities Review, Gulf Coast, and Indiana Review.
To learn more about the series and history, go here.
