The Chicago Poetry Center presents BLUE HOUR, a free, public monthly in-person reading series and generative writing workshop hosted and facilitated by Marty McConnell.
*** HEALTH & SAFETY NOTE: We are requesting that attendees mask for this event. Thank you for your cooperation! ***
The Blue Hour reading includes a brief open mic followed by two featured poets from Chicago and beyond. The open mic includes five readers drawn lottery-style from a hat that goes out at 7:15. The reading starts promptly at 7:30. Each open mic poet reads one poem or for three minutes, whichever comes first.
The name comes from a line by Chicago poet Li-Young Lee, from a section of “The City in Which I Love You”:
I wait
in a blue hour
and faraway noise of hammering,
and on a page a poem begun, something
about to be dispersed,
something about to come into being.
EVENT DETAILS FOR NOVEMBER 15:
- Workshop (registration required) begins promptly at 6 p.m., ends at 7 p.m.
- Open mic sign-up begins at 7:15.
- Reading (registration recommended) begins at 7:30, followed by community gathering time.
- Reading registration is free; the workshop is sliding scale with a suggested donation of $10.
- Register for the workshop here.
- Get your ticket for the reading here.
- Livestream is available here.
ABOUT THE READING:
The Blue Hour reading features readings by two poets from Chicago and beyond, preceded by a five person lottery-style open mic and followed by community gathering time.
ABOUT THE WORKSHOP:
The Blue Hour generative writing workshop is suitable for writers and poetry fans of all levels. We will discuss a poem together, then Marty will guide the group through individual writing on an exploratory prompt that draws on themes from the poem.
ABOUT THE SPACE:
Accessibility, Health, & Safety:
– All restrooms at Haymarket House are gender-neutral, including single-user and stalled restrooms.
– Each event includes ASL interpretation. Haymarket House is ADA compliant and fully wheelchair-accessible; email curator@poetrycenter.org to ensure ramp access and with any other accessibility needs.
– Masks are currently strongly encouraged for all indoor events, and the space is equipped with a professional air filtration system.
NOVEMBER FEATURES:
Jacob Saenz is the author of “Throwing the Crown,” winner of the APR/Honickman First Book Prize. His poetry has appeared in American Poetry Review, Memorious, Poetry, RHINO, and other journals. A CantoMundo fellow, he’s been the recipient of a Letras Latinas Residency, a Ruth Lilly Poetry Fellowship and a Latinx Scholarship from the Frost Place.
Jason Bayani is the author of “Locus” (Omnidawn Publishing 2019, Norcal Book Award finalist) and “Amulet” (Write Bloody Publishing 2013). He’s an MFA graduate from Saint Mary’s College, a Kundiman fellow, and is the co-director of Kearny Street Workshop, the oldest multi-disciplinary Asian Pacific American arts organization in the country. His publishing credits include World Literature Today, Lantern Review, and other publications. Jason is the recipient of the 2021 California Arts Council Established artist fellowship and is a featured artist for the Consortium of Asian American Theaters and Artists Festival in 2022. He performs regularly around the country and debuted his solo theater show “Locus of Control” in 2016 with theatrical runs in San Francisco, New York, and Austin.
ABOUT THE HOST:
Marty McConnell is a poet, educator, and healer based in Chicago. She is the author of when they say you can’t go home again, what they mean is you were never there, winner of the 2017 Michael Waters Poetry Prize; her first full-length collection, wine for a shotgun, received the Silver Medal in the Independent Publishers Awards and was a finalist for both the Audre Lorde Award and a Lambda Literary Award. Her first nonfiction book, Gathering Voices: Creating a Community-Based Poetry Workshop, is available through YesYes Books. She is the co-creator and co-editor of underbelly, a web site focused on the art and magic of poetry revision. An MFA graduate of Sarah Lawrence College, her work has appeared in numerous journals and anthologies including Best American Poetry, Southern Humanities Review, Gulf Coast, and Indiana Review.
To learn more about the series and history, go here.
