The Chicago Poetry Center presents BLUE HOUR, a free, public monthly in-person reading series and generative writing workshop hosted and facilitated by Marty McConnell.
*** HEALTH & SAFETY NOTE: We are requesting that attendees mask for this event. Thank you for your cooperation! ***
The Blue Hour reading includes a brief open mic followed by two featured poets from Chicago and beyond. The open mic includes five readers drawn lottery-style from a hat that goes out at 7:15. The reading starts promptly at 7:30. Each open mic poet reads one poem or for three minutes, whichever comes first.
The name comes from a line by Chicago poet Li-Young Lee, from a section of “The City in Which I Love You”:
I wait
in a blue hour
and faraway noise of hammering,
and on a page a poem begun, something
about to be dispersed,
something about to come into being.
EVENT DETAILS FOR JANUARY 17:
- Workshop (registration required) begins promptly at 6 p.m., ends at 7 p.m.
- Open mic sign-up begins at 7:15.
- Reading (registration recommended) begins at 7:30, followed by community gathering time.
- Reading registration is free; the workshop is sliding scale with a suggested donation of $10.
- Register for the workshop here.
- Get your ticket for the reading here.
- Livestream is available here.
ABOUT THE READING:
The Blue Hour reading features readings by two poets from Chicago and beyond, preceded by a five person lottery-style open mic and followed by community gathering time.
ABOUT THE WORKSHOP:
The Blue Hour generative writing workshop is suitable for writers and poetry fans of all levels. We will discuss a poem together, then Marty will guide the group through individual writing on an exploratory prompt that draws on themes from the poem.
ABOUT THE SPACE:
Accessibility, Health, & Safety:
– All restrooms at Haymarket House are gender-neutral, including single-user and stalled restrooms.
– Each event includes ASL interpretation. Haymarket House is ADA compliant and fully wheelchair-accessible; email curator@poetrycenter.org to ensure ramp access and with any other accessibility needs.
– Masks are currently strongly encouraged for all indoor events, and the space is equipped with a professional air filtration system.
JANUARY FEATURES:
C. Russell Price is originally from Glade Spring, Virginia, but now lives in Chicago. They are a Lambda Fellow in Poetry, a Ragdale Fellow, a Windy City Times 30 Under 30 honoree, an essayist, and a poet. They are the author of a chapbook, Tonight, We Fuck the Trailer Park Out of Each Other (Sibling Rivalry Press) and the full length collection oh, you thought this was a date?!: Apocalypse Poems (Northwestern University Press). Their current project is Bisquick: Seance Poems. They are on the editorial and curatorial boards for the Ragdale Foundation, Story Studio Chicago, and The Anarchist Review of Books. Russell is a poet in residence with the Chicago Poetry Center.
Teresa Dzieglewicz is a Pushcart-winning poet, Black Earth Institute Fellow, a Poet-in-Residence at the Chicago Poetry Center, and part of the founding team of Mni Wichoni Nakicizin Wounspe (Defenders of the Water School). Her first book of poetry, “Something Small of How to See a River” was selected by Tyehimba Jess for the Dorset Prize and is forthcoming from Tupelo Press. Her first children’s book, co-written with Kimimila Locke, is forthcoming from Chronicle Books.
ABOUT THE HOST:
Marty McConnell is a poet, educator, and healer based in Chicago. She is the author of when they say you can’t go home again, what they mean is you were never there, winner of the 2017 Michael Waters Poetry Prize; her first full-length collection, wine for a shotgun, received the Silver Medal in the Independent Publishers Awards and was a finalist for both the Audre Lorde Award and a Lambda Literary Award. Her first nonfiction book, Gathering Voices: Creating a Community-Based Poetry Workshop, is available through YesYes Books. She is the co-creator and co-editor of underbelly, a web site focused on the art and magic of poetry revision. An MFA graduate of Sarah Lawrence College, her work has appeared in numerous journals and anthologies including Best American Poetry, Southern Humanities Review, Gulf Coast, and Indiana Review.
To learn more about the series and history, go here.
